The second floor booths were much quieter. First thing each morning, when all the halls besides Hall E opened, I visited Taylor Guitars to compare guitars before the suite got too busy. While I was there, I listened to Doyle Dykes. At the concert I saw, he played his custom DDSM and an NS-62.This weekend was the long awaited unveiling of the Liberty Tree Guitar. They had three of them, two with 2-piece backs and one with a 3-piece back (not pictured). The Factory has begun production of the 400 that will begin shipping at the beginning of April 2002. This Tulip Poplar/Sitka Spruce Grand Concert has similar tonal qualities of walnut ... though I think it has a bit more bass than a walnut of the same size.
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They also had the complete line of Nylon String guitars they are introducing this year. Generally following the wood combinations of the steel string series, the NS-32 is Sapele/Sitka Spruce, the NS-42 is Ovangkol/Sitka Spruce, the NS-62 is Maple/Engelmann Spruce, and the NS-72 is East Indian Rosewood/Western Red Cedar. It would be interesting to learn why the NS-62 has an Engelmann top when the 600 series features a Sitka top.
Since NAMM, Taylor has changed the model names (formerly NS-3, NS-4, NS-6, and NS-7) as well as the bridge design. The NAMM Show models feature a bridge with a more classical guitar look, but the guitars currently in production have a new design, featuring a double hole system.
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NS-32 and NS-42... And then, there were two Brazilian Rosewood Nylon Strings (need I say more?), one with a Cedar top and one with an Engelmann Spruce top! I especially liked the rich bass of the Brazilian Rosewood/Engelmann Spruce. Taylor is planning a limited run (of 50, if I remember correctly) later this year.
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If you would like to see some pictures taken of these guitars during production, go to the next page.
I also played some pianos at L Bösendorfer Klavierfabrik and looked at the guitars at Fender Musical Instruments (in particular the Traveler Guitar) and Godin Guitars.